Prompt
A short description of the sound: genre, mood, instruments and tempo, written as plain words such as 80 BPM in A minor. Prompt mode also writes the words for a sung track, so every word you type should be one you would miss if it were gone.
Brief · two takes · keep one
An AI music gen run starts from a short written brief and returns two full tracks you can play side by side. Name the genre, the mood, two instruments and a tempo, decide whether you want vocals or an instrumental bed, then listen to both takes on the same headphones and keep the one that already sounds closest to the song in your head.

You write the ask; the tool writes the performance. Four choices shape every run.
A short description of the sound: genre, mood, instruments and tempo, written as plain words such as 80 BPM in A minor. Prompt mode also writes the words for a sung track, so every word you type should be one you would miss if it were gone.
Switch to Own Lyrics and paste lines you already wrote. Your lines stay fixed while the melody and groove are built around them, which suits a name, a slogan or a verse you love.
Switch it on when a voice-over, a game scene or a study session needs a purely instrumental bed. The brief stays the same; only the sung part drops out.
Tags such as Country, Folk, Rock, Blues and Disco give a quick start when the box is empty. Pick one, then add your own mood and instruments so the result carries your idea.
Number of Songs starts at 2, so each run gives two tracks, and songs can run up to 8 minutes. That pair is the real feature: two readings of one brief tell you more about your prompt than any single file could.
A loop you can finish in one sitting: write, generate, compare, then stop or change one thing.
One genre, one mood, two instruments and a tempo. A clear four-part brief beats a paragraph of stacked adjectives.
Paste your lines in Own Lyrics or let Prompt mode write the words for a sung track, or switch on Instrumental Only when speech will sit on top.
Play the pair back to back at the same volume. Write one sentence on what each take does better than the other.
Download the clearer take, or change a single word in the brief and run it again so you know what moved.
Stop after a second run unless you can name the exact gap that is left. A named gap, such as a chorus that should lift higher, gives the next prompt a job.
Most AI gen music sounds generic for one reason: the brief was generic. Four slots fix most briefs: genre, mood, two instruments and a tempo.
Both tracks below came from briefs built that way, one sung with pasted lines and one with Instrumental Only switched on. Play them as drafts to learn from.

River Lights · sung, own lyrics“Bright city pop, 112 BPM, slap bass, electric piano chords, crisp drums, warm female vocal”, with a short verse and chorus pasted in Own Lyrics mode.

Reading Room Bed · Instrumental Only“Warm lo-fi hip hop, 80 BPM, muted Rhodes chords, brushed drums, soft upright bass, calm and steady, room for a spoken voice.”
Judge music generated by AI like a demo: in the sung take, check that the chorus words land on the strong beats; in the bed, check that the midrange leaves room for a voice. A words to music generator also works from a prompt alone, such as “acoustic folk, hopeful, fiddle, leaving a small town”. Swap one detail at a time.
Most runs serve one of four jobs. Naming the job before you write the brief keeps the prompt short.
Name the tempo so an editor can cut on the beat, and switch on Instrumental Only when a narrator will talk over it.
Paste the verse and chorus you wrote and hear two melodies for them before you book a session or pick up a guitar.
Ask for a calm, steady bed with few changes, so it sits quietly behind study, gaming or a long work block.
Write a prompt with a name, a place and a shared memory, and keep the take that sounds most like them.
If a job needs both a sung version and a bed, write one brief and run it twice, once with vocals and once instrumental, so the two files share a sound and you can use both in the same project.
People open a music gen AI tool for three different reasons, and each one rewards a short brief.
A bed that matches the script's tone and leaves room for speech.
Two melody sketches for words that are already written.
To hear what an artificial intelligence music generator does with one line.
Whichever group you are in, the habit is the same: write a note on what changed between runs and keep only the take you would play again.
Small edits to the brief make side-by-side listening fair and keep each new run useful.
Pick one mood and two concrete instruments. Five stacked adjectives hide which word moved the result.
Alter the tempo or one instrument between runs, one edit at a time, so you can hear what each edit does.
Listen to both takes all the way through before you rewrite. The keeper is often the one you nearly skipped.
Keep every brief in one running note with the date and the take you kept. With gen AI music, that note soon becomes your best guide to what works for your ear.
A fair scope lets a good draft be judged as a draft. The tool handles the first take; you handle the final call.
Treat the AI music gen output as a strong first draft. Keep the take that works, then trim, extend or remix it in the editor you already use.
Short answers to what visitors ask before the first run.
Lyrics are optional. You can paste lines you wrote in Own Lyrics mode, describe the song in Prompt mode and let the run write the words, or switch on Instrumental Only and skip singing altogether. Pasting your own lines makes sense when the exact words matter, such as a name or a slogan. Prompt mode works when you care more about the feeling. Start with a prompt if you are unsure, then paste your best lines into the next run.
Two readings of one brief show you what your words controlled and what the run invented. If both takes share a tempo and instruments, the prompt did its job; if they differ wildly, the brief left too much open. Listen to both at the same volume, write one sentence on each, and use that sentence to decide the next edit. Many keepers turn out to be the take you played second.
Songs can run up to 8 minutes. If you need a long bed for a stream or a study session, ask for a calm, steady arrangement with few changes, so the track stays in the background. For a song with a story, name the sections you want, such as verse, chorus and bridge, so the song has a clear shape. Any tempo or key you want goes into the prompt as words, for example 72 BPM in D major.
The free plan gives you 30 credits a year, about 15 generations, at 2 credits per song; unused credits reset on your renewal date. Free users can download a limited number of songs, while paid plans download in MP3, WAV and FLAC. For more runs on a one-time basis, you can also buy credits once with Pay Once. Spend early runs on short, clear briefs, so each one teaches you something about your prompt.
Monthly and yearly plans both include commercial rights, within the scope of the Commercial License. The Commercial License certificate costs 5 credits per song on monthly plans and Pay Once, and 0 credits on yearly plans, with no extra charge. Keep the certificate with the audio in the project folder, so you can show where the music came from if a client or a platform asks.
Still unsure? Run one short brief with vocals and the same brief as an instrumental, then compare all the takes side by side.
Write one genre, one mood, two instruments and a tempo, then keep the clearer of the two takes you get back.